Cormac McCarthy

🔥 Deep Inside the Fire: How Stephen King Uses The Third-Person Omniscient POV Like a Scalpel and a Sledgehammer

Third-person omniscient POV. Stephen King. Framed digital artwork showing an abstract mid-century image depicting two silhouetted figures—Tom in shadow, Beverly in fractured light—on a cracked stage with flames and distorted thought clouds; visual metaphor for third-person limited omniscient POV in Stephen King’s fiction.
/ 2. IGNITE YOUR WRITING TECHNIQUES, 2.08 Narrative Perspectives

Reading Time: 4 minutesStephen King, the master of horror, sure, but also the master of the Third-Person Omniscient POV . Greetings, Fiction Igniters! What if I told you Stephen King doesn’t just scare us with monsters, but with perspective itself? That’s right, today, we’re cracking open the inferno-laced vault of narrative wizardry, diving headfirst into a Stephen King […]

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Top 10 Things I Learned About Writing From Emilia Pérez

Framed digital artwork featuring an abstract mid-century graphic design of a fragmented film reel unraveling over a kitschy, distorted Mexico with neon-lit deserts and a faceless director tossing a script into a bonfire.
/ 5. TOP LISTS & HIDDEN GEMS, 5.01 Top 10 Things I Learned About Writing

Reading Time: 7 minutesGreetings, Fiction Igniters! Gather around the bonfire, because today we’re talking about one of the most controversial movies in recent memory: Emilia Pérez. This film is getting all sorts of awards and it just received 13 Academy Award nominations (the same amount as Oppenheimer!), and is one of the frontrunners to win best picture. Yet,

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